Bastien Keb | 22​.​02​.​85

22.02.85′ is the new album from Bastien Keb. Initially conceived as a concept album about a stripper lost in the city (like a straight-to-video follow up to Showgirls), ‚22.02.85‘ has a distinctly nocturnal edge to it. The city at night, lost in a crowd, abandoned petrol stations, empty kebab shops, broken florescent lights. Like a half-forgotten dream, familiar yet unnerving. He says all the songs are all about girls apart from two about a big lug. You may catch a phrase here and there but the context is all in the feel: „There’s a melancholy edge, but I don’t wanna depress people. Sad but hopeful? If that’s possible.“

A guitarist first and foremost, Keb also plays trumpet, bass, drums, piano, flute and more – many borrowed donated or found instruments. Layering and pitching his voice to imaginative effect, you might feel an influence of Bon Iver or Jai Paul but in truth it’s more indebted to The Impressions or The Delfonics. Keb makes a living writing music for TV and film and you’ll hear hints of cinematic direction throughout. The soundtracks of Isaac Hayes taped from Madlib’s second hand SP-303 for a re-scored Twin Peaks. Recorded by himself in Leamington and Hackney he discloses – „I don’t really mic shit up proper, so I gotta go lo-fi. Warm, fuzzy, dirty and honest; an antidote to over-production and over-analysis.“

Released March 3, 2017 –  Available on Bandcamp.

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Kid Koala | Music To Draw To: Satellite

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Kid Koala’s „Music To Draw To: Satellite“ is an uncharted musical journey for the legendary scratch DJ, producer, and composer. Kid Koala’s fifth studio album is an expansive work of ambient electronic soundscapes and chilling ballads sung by Icelandic artist Emiliana Torrini. Created during the gelid Montreal winter, its eighteen movements tell a tale of discovery and loss through the lens of lovers separated by an early space mission to Mars. An album of many firsts for Eric San, this inaugural volume in the Music To Draw To series features Kid Koala collaborating with a vocalist, writing lyrical poetry, and producing and performing all instruments. Satellite is the renowned audio-collagist’s first non-sample-based record, instead using an array of synthesizers, keys, guitars, strings, turntables, noisemakers and San’s inventive recording techniques to lay out this heartrending musical story. The output is in stark, beautiful comparison an ambient masterpiece: over 72 atmospheric minutes of stardust settling over Kid Koala’s trove of turntables and sentiment.

The Deluxe CD contains a 20-page booklet encased in a limited edition 80-page foil-stamped hardcover sketchbook. The 2LP gatefold vinyl comes with the 20-page booklet.

Pre-order „Music To Draw To: Satellite“ at Arts&Crafts, release date is  January 20th.

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Hidden Orchestra | Wingbeats

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Hidden Orchestra is the solo studio project of multi-instrumentalist composer/producer Joe Acheson. The album features drummer Tim Lane and Jamie Graham, pianist/violinist Poppy Ackroyd and long-time collaborators including harpist Mary Macmaster, cellist/saw player Su-a Lee and Czech bass clarinettist Jiri Javurek.

Although written for sampling, the pieces included on the “Wingbeats” EP stand on their own as individual compositions, striking elements coming to the fore in each one. And each source track tells a story: of birds fluttering in to feed on crumbs in a rural British garden, or flocking in a hedge in the snow in the French Alps; of an imaginary string orchestra; of a suspenseful, early-hours piano jam; of a spot of instrument shopping in Istanbul while on tour; of a sleepy village engulfed by an exhilarating early-morning dawn chorus, rounded off with church bells.

Out on Tru Thoughts, available at Bandcamp.

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the gaslamp killer | instrumentalepathy

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With many new roads traveled over the last few years, The Gaslamp Killer is back with the full-length LP „Instrumentalepathy“. The new LP features Gonjasufi, Miguel Atwood Ferguson, Niki Randa, Kid Moxie, Mophono, Amir Yaghmai and The Heliocentrics.

As many know, GLK used the triumphs of battling a near death experience three years ago when shaping his debut Cuss Records album. A handful of the tracks were even captured from his bed, unable to walk, with morphine running through his veins and staples in his body. A musical illumination that one could argue helped save his life and steared him towards the achievements he has accumulated with his live band The Gaslamp Killer Experience. Instrumentalepathy marks the catalyst point of an important road for GLK and the electronic community at large.

„Instrumentelephy“, like his latest releases, continues down the rabbit hole of his debut full length Breakthrough (Brainfeeder) and the recent live record with his band The Gaslamp Killer Experience. Molding psychedelic ethos and heavy drum breaks with the traditional music language of his ancestors and the futuristic landscapes of modern electronica, GLK continues to push the boundaries of contemporary music.

Releases September 16, 2016 via Cuss Records, available on Bandcamp.

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